What’s become of Otl Aicher’s former abode? A visit to the Allgäu.

What’s become of Otl Aicher’s former abode? A visit to the Allgäu.
Interviewed: Erik Spiekermann, type designer, author and Aicher critic.
Technology: a central notion and fixed point of perspective in the work of Otl Aicher.
The British architect Norman Foster on his friendship with Otl Aicher: He had absolute integrity.
Thoughts on the colour palettes of Otl Aicher.
Absolute sharpness, reduction and strict rules determine the character of his pictures: Otl Aicher as photographer.
Under Otl Aicher’s direction, designers, architects and landscape planners shaped the face of the Olympic Games 1972.
Inge Aicher-Scholl preserved the legacy of the White Rose.
An interview with design icon Stefan Sagmeister about typefaces, beauty and the legacy of Otl Aicher.
The International Design Center Berlin (IDZ) invites you to a slide show and panel talk at Architektur Galerie Berlin on 20 October. Karsten de Riese and Prof. Michael Klar will report on a photo reportage commissioned by BMW that took them to Tunisia in 1975 together...
On the occasion of the 50th anniversary of the 1972 Olympic Games, the IDZ invites you to a discussion on the vision of the Munich Games and the status quo as well as the future of the Olympic movement on 26 August. The event at Berlin’s Akademie der Künste on Pariser...
Isny im Allgäu owes Otl Aicher a corporate design that is concise, bold and singular.
With a retrospective of Otl Aicher’s book “kritik am auto – schwierige verteidigung des autos gegen seine anbeter” (Criticism of the Car – Difficult Defence of the Car against its Worshippers) published in 1984, the IDZ continues its series of events on the “otl...
Today marks the centenary of Otl Aicher’s birth. The International Design Center Berlin (IDZ) is taking this date as an opportunity to pay tribute to this great designer. With otlaicher100.de, a new online platform is being launched – a curated space that provides...
Reflections on Inge Aicher-Scholl and Otl Aicher.
The International Design Center Berlin (IDZ) is taking Otl Aicher’s centenary as an opportunity to pay tribute to this great designer and to make his work visible. An online platform and a series of events will address Otl Aicher’s multifaceted cosmos of topics and...
Eine Stadt leuchtet: Mit seinem farbenfrohen Erscheinungsbild der XX. Olympischen Sommerspiele 1972 setzte Otl Aicher ein Signal. Die junge Bundesrepublik war in der Moderne angekommen.
Otl Aicher’s Poster displays for the Ulmer Volkshochschule (Ulm Adult Education Centre).
From O to R: Let’s talk about a hedgehog, standardisation and neurotis for a change (please click on the letters).
Otl Aicher’s Dept. XI team: the visual identity of the Munich ’72 Olympics was the work of graphic designers, illustrators and technical staff from all over the world.
Aicher’s childhood and youth: the years 1922 to 1945.
Otl Aicher’s signage systems for airports, metro stations and hospitals are considered exemplary to this day.
Der einstige Braun-Chef-Designer im Gespräch über den Co-Gründer der HfG.
A Broadcast: What is his place in today’s world?
The Aichers: a brief family history.
Drawing in Rotis: former Aicher co-worker Reinfriede Bettrich talks about hand sketches, the first computers and everyday life at the office.
How Otl Aicher’s papers and materials came to the HfG-Archiv/Museum Ulm.
Die Küche zum Kochen (The Kitchen for Cooking) – the genesis of a book that has lost none of its relevance.
How a dachshund conquered the world: former Aicher staff member Elena Schwaiger on plush animals, fakes and the authentic mascot of the 1972 Olympic Games in Munich.
Le Violon d’Ingres or An Attempt to Defend the Writings of Otl Aicher.
Otl Aicher as the architect of Rotis.
Otl Aicher and his critique of the automobile.
First broadcast: 15.02.1971 on Bayerischer Rundfunk, Munich (Only available in German).
Interviewed: Jürgen Werner Braun on his collaboration with Otl Aicher.
They created the signature of an epoch: designers Otl Aicher, Willy Fleckhaus, Anton Stankowski and Kurt Weidemann.
In the 1970s, Otl Aicher set an example of modern town advertising with the image for Isny in the Allgäu: with black lines and geometric shapes on a white background, in an almost square frame, 136 pictorial symbols were created that communicate the complexity of the town and the region. Today they are an important part of the town’s design. “What Aicher created for Isny is of priceless value,” emphasises Rainer Magenreuter, mayor of the small town in the Allgäu. For Aicher’s 100th birthday, Isny is therefore presenting itself in the light of the image he created. Not only design enthusiasts, art lovers and graphic experts are invited to the anniversary, but also citizens, friends and visitors of the region. In the temporary exhibition building in the middle of Isny’s Kurpark, visitors will meet Otl Aicher and the town of Rotis, where he worked and lived for a long time. Along the original pictorial signs, they encounter Aicher’s Isny. The curators Monika Schnell, former employee in Aicher’s office in Rotis, and art historian Renate Breuss present the connection between the town and the designer: by using photographs and anecdotes, with the help of digitally accessible audio texts and also with the help of the atmosphere of the exhibition space, which opens up to the top. A comprehensive programme of events accompanies the anniversary from May to October. It stages what was important to Aicher and what is typical in Isny. Well-known Isny events such as the children’s festival and the popular regional markets are dotted with cross-references to the designer. Creative workshops, literary projects, performances, participatory events and guided tours of the town are based on the impressions Aicher once had of Isny: the appreciation of good food and fresh herbs – preferably from one’s own garden, the region’s nature and cultural landscape, tradition, good beer, music and much more.