What’s become of Otl Aicher’s former abode? A visit to the Allgäu.

What’s become of Otl Aicher’s former abode? A visit to the Allgäu.
Interviewed: Erik Spiekermann, type designer, author and Aicher critic.
Technology: a central notion and fixed point of perspective in the work of Otl Aicher.
The British architect Norman Foster on his friendship with Otl Aicher: He had absolute integrity.
Thoughts on the colour palettes of Otl Aicher.
Absolute sharpness, reduction and strict rules determine the character of his pictures: Otl Aicher as photographer.
Under Otl Aicher’s direction, designers, architects and landscape planners shaped the face of the Olympic Games 1972.
Inge Aicher-Scholl preserved the legacy of the White Rose.
An interview with design icon Stefan Sagmeister about typefaces, beauty and the legacy of Otl Aicher.
The International Design Center Berlin (IDZ) invites you to a slide show and panel talk at Architektur Galerie Berlin on 20 October. Karsten de Riese and Prof. Michael Klar will report on a photo reportage commissioned by BMW that took them to Tunisia in 1975 together...
On the occasion of the 50th anniversary of the 1972 Olympic Games, the IDZ invites you to a discussion on the vision of the Munich Games and the status quo as well as the future of the Olympic movement on 26 August. The event at Berlin’s Akademie der Künste on Pariser...
Isny im Allgäu owes Otl Aicher a corporate design that is concise, bold and singular.
With a retrospective of Otl Aicher’s book “kritik am auto – schwierige verteidigung des autos gegen seine anbeter” (Criticism of the Car – Difficult Defence of the Car against its Worshippers) published in 1984, the IDZ continues its series of events on the “otl...
Eine Stadt leuchtet: Mit seinem farbenfrohen Erscheinungsbild der XX. Olympischen Sommerspiele 1972 setzte Otl Aicher ein Signal. Die junge Bundesrepublik war in der Moderne angekommen.
Today marks the centenary of Otl Aicher’s birth. The International Design Center Berlin (IDZ) is taking this date as an opportunity to pay tribute to this great designer. With otlaicher100.de, a new online platform is being launched – a curated space that provides...
Reflections on Inge Aicher-Scholl and Otl Aicher.
The International Design Center Berlin (IDZ) is taking Otl Aicher’s centenary as an opportunity to pay tribute to this great designer and to make his work visible. An online platform and a series of events will address Otl Aicher’s multifaceted cosmos of topics and...
Otl Aicher’s Dept. XI team: the visual identity of the Munich ’72 Olympics was the work of graphic designers, illustrators and technical staff from all over the world.
Otl Aicher’s Poster displays for the Ulmer Volkshochschule (Ulm Adult Education Centre).
From O to R: Let’s talk about a hedgehog, standardisation and neurotis for a change (please click on the letters).
Aicher’s childhood and youth: the years 1922 to 1945.
Otl Aicher’s signage systems for airports, metro stations and hospitals are considered exemplary to this day.
Der einstige Braun-Chef-Designer im Gespräch über den Co-Gründer der HfG.
A Broadcast: What is his place in today’s world?
The Aichers: a brief family history.
Drawing in Rotis: former Aicher co-worker Reinfriede Bettrich talks about hand sketches, the first computers and everyday life at the office.
How Otl Aicher’s papers and materials came to the HfG-Archiv/Museum Ulm.
Die Küche zum Kochen (The Kitchen for Cooking) – the genesis of a book that has lost none of its relevance.
How a dachshund conquered the world: former Aicher staff member Elena Schwaiger on plush animals, fakes and the authentic mascot of the 1972 Olympic Games in Munich.
Le Violon d’Ingres or An Attempt to Defend the Writings of Otl Aicher.
Otl Aicher as the architect of Rotis.
Otl Aicher and his critique of the automobile.
First broadcast: 15.02.1971 on Bayerischer Rundfunk, Munich (Only available in German).
Interviewed: Jürgen Werner Braun on his collaboration with Otl Aicher.
They created the signature of an epoch: designers Otl Aicher, Willy Fleckhaus, Anton Stankowski and Kurt Weidemann.
Artificial intelligence and ethics – following on from Otl Aicher’s essay “kulturen des denkens” (cultures of thinking)
Welcome
Prof. Jeanine Meerapfel, filmmaker and president of the Academy of Arts
Prof. Karsten Henze, Chairman of the Board of the IDZ.
Excerpts from the films “Designlegende HfG” (1988) and “Otl Aicher, der Denker am Objekt” (1991) of the edition disegno of Peter Schubert Filmproduktion, publisher FSB
Discussion between Peter Schubert, film director and producer and Wolfgang Reul, door handle philosopher at FSB
Lecture: „Information and Apocalypse”
Prof. Dr. Byung-Chul Han
philosopher, cultural scientist and author
Byung-Chul Han first studied metallurgy in Korea, then philosophy, German and Catholic theology in Freiburg im Breisgau and Munich. After his habilitation, he taught philosophy, media theory and cultural studies at the University of Basel, the HfG Karlsruhe and the Berlin University of the Arts. He has published numerous books, including “Müdigkeitsgesellschaft”, “Transparenzgesellschaft”, “Die Errettung des Schönen”, “Die Austreibung des Anderen” and “Undinge”. His books have been translated into more than twenty languages.
Panel discussion with:
Lukas Brand
Theologian, author of the book “Artificial Virtue. Robots as Moral Actors”
Lukas Brand is a Catholic theologian and AI researcher. As a member of staff at the Chair of Philosophy of Religion and Philosophy of Science at the Ruhr University Bochum, he researches and teaches on questions of digital anthropology and ethics of AI, on virtuality and artificial persons. He makes his research accessible to a wider public in various lectures and articles. In his book “Artificial Virtue”, Brand addresses the question of whether machines can learn moral behaviour.
Lorena Jaume-Palasí
Philosopher and founder of “The Ethical Tech Society”
Lorena Jaume-Palasí researches the area of intersection between digital technology and ethics. She advises the European Parliament and the European Commission, among others, as well as the government of her home country Spain, which appointed her to the National Council for Artificial Intelligence in 2020. She is the founder of The Ethical Tech Society, a non-organisation* focused on the public interest dimension in technological infrastructures. As co-founder of the AlgorithmWatch initiative, Lorena Jaume-Palasí received the Theodor Heuss Medal in 2018 “for her contribution to a differentiated view of algorithms and their mechanisms of action”.
Yasemin Keskintepe
Art scholar and curator of the exhibition “Artificial Intelligence. Machines – Learning – Human Dreams” at the German Hygiene Museum, Dresden
Yasemin Keskintepe is a curator and art scholar. She investigates the influence of digital technologies on society through science and art. Most recently, she curated the special exhibition Artificial Intelligence. Machines Learn Human Dreams. Previously, she worked at the ZKM | Centre for Art and Media Karlsruhe (2016 – 2018), where she curated the exhibition Open Codes. Life in Digital Worlds. She has also worked on numerous international exhibition projects, including in Mumbai, Beijing, Istanbul, Valletta, and Utrecht.
Moderation: Prof. Dr. Christoph Neuberger
Communication theorist, Executive Director of the Weizenbaum Institute for the Networked Society
Christoph Neuberger teaches journalism and communication studies at the Free University of Berlin. He is also Executive Director of the Weizenbaum Institute for the Networked Society. After studying, receiving his PhD, and habilitation in communication studies at the Catholic University of Eichstätt, he was professor of communication studies with a focus on “journalism” at the Westfälische Wilhelms-Universität Münster from 2002 to 2011 and professor of communication studies with a focus on “media change” at the Ludwig-Maximilians-Universität Munich from 2011 to 2019. He is a full member of the Bavarian Academy of Sciences and Humanities (BAdW) and the German Academy of Science and Engineering (acatech). His work focuses on the digital transformation of media, the public sphere and journalism.
Get-together
End of the event